Eastern Art Review
April 24, 2026
Press Accreditation Office
La Biennale di Venezia
Ca' Giustinian, San Marco 1364/A
30124 Venice, Italy
Dear Press Accreditation Office,
Eastern Art Review hereby assigns Jade Jungmin Ha, Editor-in-Chief, and Chaerim Park, Art Director, to attend and cover the 2026 Venice Biennale as official editorial correspondents. This assignment includes on-site reporting, critical writing, and visual documentation for publication in Eastern Art Review.
Eastern Art Review is an independent review journal moving between New York, Seoul, and the broader circuits of North America and East Asia. We write about exhibitions, institutions, and cultural shifts, with particular attention to the hidden architectures behind artistic form: institutions, capital, curatorial authority, language, and the systems of communication that determine what gets seen and what does not.
For our first year covering the Venice Biennale, Eastern Art Review will report on how national pavilions communicate their curatorial vision across different cultural and institutional contexts — examining what each pavilion chooses to say, how it says it, and what that reveals about the broader systems shaping contemporary art today. Our coverage will move between close readings of individual works and wider structural analysis, written for a readership across North America and East Asia.
Ms. Park is traveling to Venice in May 2026 in her capacity as Art Director and photographer. Any assistance extended to her in connection with press access, accreditation, or exhibition materials will be greatly appreciated.
For questions or verification, please contact us at the address below.
Sincerely,
Jade Jungmin Ha
Editor-in-Chief
Eastern Art Review
Press Accreditation Office
La Biennale di Venezia
Ca' Giustinian, San Marco 1364/A
30124 Venice, Italy
La Biennale di Venezia
Ca' Giustinian, San Marco 1364/A
30124 Venice, Italy
Dear Press Accreditation Office,
For our first year covering the Venice Biennale, Eastern Art Review will report on how national pavilions communicate their curatorial vision across different cultural and institutional contexts — examining what each pavilion chooses to say, how it says it, and what that reveals about the broader systems shaping contemporary art today. Our coverage will move between close readings of individual works and wider structural analysis, written for a readership across North America and East Asia.